From Anarchy and Ecstasy: Visions of Halcyon Days
by John Moore, Aporia Press 1988
The aim of this essay is to subvert, and hence explode, one of the central ordering myths in Western civilization. The subversive action will occur through taking the elements within this myth to their logical conclusion. In the process, I hope to discover the conceptual basis for a new "politics," or in fact an antipolitics.
The myth selected for this process concerns the act of universal creation and the subsequent fall of humanity. This myth remains of central significance for two reasons. First, it is a common component of the mythic legacy shared by paganism and Christianity, and thus plays a crucial ordering role within Western culture. And, secondly, in addition to offering an account of the structure of the universe and history, it provides an elementary paradigm in defining the nature and significance of obedience and disobedience. It is, then, a totalist explanatory grid, but one which contains within itself elements which can precipitate its collapse.
In order to gain access to this myth, I have decided to focus my analysis on one particular text—John Milton's
Paradise Lost
. This text has been chosen partly for its lucidity, but mainly because it constitutes a major synthesis of the relevant Western myths. In this poem Judaeo-Christian creation myths are explicitly combined with their pagan counterparts. Milton sythesises scriptural interpretations with insights derived from Ovid's
Metamorphoses
, itself a compendium of ancient myths. Moreover,
Paradise Lost
a wrong crowd projection
