AR scratching from vanderlin on Vimeo.
Augmented Reality Scratching is an utterly awesome little hack that Todd Vanderlin came up with. In short, Augmented Reality is a technique where computer graphic is transposed onto real footage in real time. One way of doing this is to use markers that the computer will track on a coordinate system.
So by figuring out the velocity of the records rotation and applying it to the payback of the audio you can scratch. There is some digital noise that needs to bee worked out, but sounds pretty good. Its still really hard to scratch, it takes some practice but is super fun. The next step is to figure out some nice triggers for different modes. I like the idea of not needing a turntable but the actual spinning of the record helps with the scratching and playback. I made a couple modes, one where the record is paused and you can just scratch through the song. The other looks for zero velocity for x time and then continues on with the song. If there is velocity you then are scratching and the audio is affected. I think that this project has some legs can’t wait to play more.
http://laughingsquid.com/augmented-reality-scratching-vinyl-record-scrat...
[Noah] is building instruments, that while being electronic, require physical action to drive them. In the video, you can see an example, in the form of a polka. The part that they’re holding (print head?) is attached to a generator which powers the instrument. The effect makes the instrument much more like a traditional stringed instrument that must be strummed. We can easily also imagine an interface similar to a concertina or accordion being functional. There are schematics available on his site in the research reports section, but you’ll have to dig through a pdf or two to find them. We would love to see a breakdown of the instruments and their components in a more accessible form.
http://web.media.mit.edu/~nvawter/projects/ExertionInstruments/
huge congratulations go out to mr&mrs throbgobbergoblin and big sis ember.
at 6.15 this morning a superb new addition to the throbber gobber family entered this wondrous existence and i take the liberty of impressing profound congratulations for the birth of wee little miss "Willow", and all that stuff, on behalf of the mutated family. May you all have endless happy and fun times together!
I must also remark on maestro gobber who now joins the ranks of the proven sire!
well done one and all! :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman: :partyman:
i just had a thought on managing graf in the community. Could potentially trans.mute.hate tracts of social places in our environment.
3 things need to be done.
1. authorities should create a fund of $X.
The money is accessible to fund positive community art, or, pay for the removal of illegal defacing of property (i.e. artists can apply for funds to do projects in acceptable areas, and/or money is available to clean up tagging and pursue perpetrators).
The idea is to create a competitive situation between community art projects and illegal activity, whilst also providing non discriminate opportunities for positive community art.
2. acceptable areas need to be zoned.
sufficient space must be available to ensure inclusiveness.
a definition of acceptable needs to be negotiated: e.g. suitable infrastructure that is safe to paint on and poses no risk to person; is an appropriate public area; a negotiated suitable space; etc.
3. a definition of appropriate must also be negotiated by relevant stakeholders.
worst case scenario is a bucket of paint and a paint brush.?
*handsshrugs* wadayya rekon?